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131 Projects

  • Canada
  • 2013

10
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  • Funder: EC Project Code: 240837
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  • Funder: EC Project Code: 258378
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  • Funder: UKRI Project Code: AH/K000764/1
    Funder Contribution: 96,159 GBP

    This proposal builds on - and extends to new audiences and user communities - our NDA funded research project (2009-2012) entitled Ages and Stages: The Place of Theatre in Representations and Recollections of Ageing. It aims to develop some of the activities and research-led learning from that project and, in so doing, reach out to - and bring together - user communities who may not traditionally have worked with drama in the ways proposed here. This will be achieved through the following connected programme of drama-related activities: 1) The formation of an intergenerational theatre company at the New Vic Theatre. Through a regular series of workshops, the company will bring older and younger people together in creative, drama-based activities to enhance understanding between the generations and support the continued social engagement of both groups. 2) A touring performance. The IG company will create a touring piece(s) which can be taken out to audiences within, and beyond, North Staffordshire. We anticipate that these audiences might include local councils; primary as well as secondary schools; residential homes/housing developments for older people; community groups and higher education institutions providing professional training courses (for teachers, social workers and doctors/nurses). 3) An inter-professional training course and training materials/resources, which will aim to develop practice capabilities and age awareness amongst teachers, health and social care professionals, arts practitioners and others interested in learning about and including intergenerational theatre/drama in their practice. The IG company will act as an important resource by contributing to the development and delivery of the training sessions and providing feedback to participants. 4) A scoping exercise for a wider 'Creative Age Festival', which could leave a concrete community legacy from Ages & Stages. The project will continue to be overseen by the existing 'Ages and Stages' Advisory Group, which includes experts in drama, intergenerational practice, policy and gerontology. The group will also be refreshed by new members, including younger members of the intergenerational theatre company (aged 16-18) . The activities we propose are timely for the following reasons. First, there is a notable groundswell of interest in the arts in general and theatre/drama in particular, not simply as a cultural activity but as one which has the potential to impact positively on the well-being of older and younger people. Second, in times of scarce resources, it is important to capitalise on activities which bring people together rather than those which might pit the generations against each other. Third, there is a role for practitioners in facilitating and enabling these kinds of activities but rarely, to our knowledge, have there been opportunities for professionals from differing arenas to work together as is proposed here. Finally, it is important to make best use of existing knowledge - not just that generated from our own work but also that of colleagues. We will be drawing strongly from our collaborators, including our linked Canadian project (about the impact of theatre on health ageing, which runs until 2013), and will also remain part of the New Dynamics of Ageing programme and will benefit from the knowledge exchanges this offers.

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  • Funder: SNSF Project Code: 138773
    Funder Contribution: 60,300
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  • Funder: SNSF Project Code: 139400
    Funder Contribution: 47,185
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  • Funder: SNSF Project Code: 142077
    Funder Contribution: 52,075
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  • Funder: SNSF Project Code: 139980
    Funder Contribution: 66,560
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  • Funder: SNSF Project Code: 139828
    Funder Contribution: 43,800
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  • Funder: UKRI Project Code: NE/H009914/1
    Funder Contribution: 360,717 GBP

    Modern marine ecosystems were established during the early Palaeozoic radiations of animals, first the 'Cambrian Explosion' and then, some 50 million years later, in the 'Great Ordovician Biodiversification Event.' By tracking the details of diversification through this critical interval, it should be possible to reconstruct not only the dynamics early animal evolution, but also the underlying effects of accruing ecological novelty. Unfortunately, the conventional fossil record represents only a fraction of ancient diversity, while famous 'soft-bodied' biotas such as the Burgess Shale are too rare to provide larger-scale patterns. I propose to circumvent these problems by exploiting a new, largely untapped source of palaeontological data: Burgess Shale-type microfossils. Like their macroscopic counterparts these fossils record the presence of non-biomineralizing organisms, but they also extend the view to include previously unrecorded forms and fine features. More significantly, they are proving to be quite common - to the extent that they can begin to be used to test macroevolutionary hypotheses. Systematic analysis of Burgess Shale-type microfossils through the Middle to Late Cambrian will shed fundamental new light on early evolutionary patterns, not least the poorly known interval between the Cambrian and Ordovician radiations. By integrating this enhanced fossil record with the principles of biological oceanography and macroecology, this study will also provide a unique, evolutionary view of how modern marine ecosystems function. This study will focus on the Western Canada Sedimentary Basin, which contains one of the largest, best preserved and most extensively sampled sequences of early Palaeozoic rocks on Earth. In addition to famously fossiliferous units exposed in the Rocky Mountain Fold and Thrust Belt - including the Burgess Shale itself - strata extend eastwards for over 1000 km in the subsurface, where they have been penetrated by hundreds of petroleum exploration boreholes. These subsurface materials are housed in state-of-the-art storage facilities in Calgary, Alberta and Regina, Saskatchewan and offer a unique opportunity to sample systematically through the whole of the Middle-Late Cambrian, and across an expansive shallow-water platform into continental-margin environments exposed in the Rocky Mountains. Preliminary work in both subsurface and outcrop occurrences has identified an exquisite range of Burgess Shale-type microfossils. More comprehensive sampling and analysis will substantially advance our understanding of early Palaeozoic diversity, macroevolutionary patterns, and the co-evolution of ecosystem function and environments.

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  • Funder: NIH Project Code: 1R21AI098701-01
    Funder Contribution: 170,239 USD
    visibility84
    visibilityviews84
    downloaddownloads139
    Powered by Usage counts
    more_vert
131 Projects
  • Funder: EC Project Code: 240837
    visibility74
    visibilityviews74
    downloaddownloads337
    Powered by Usage counts
    more_vert
  • Funder: EC Project Code: 258378
    more_vert
  • Funder: UKRI Project Code: AH/K000764/1
    Funder Contribution: 96,159 GBP

    This proposal builds on - and extends to new audiences and user communities - our NDA funded research project (2009-2012) entitled Ages and Stages: The Place of Theatre in Representations and Recollections of Ageing. It aims to develop some of the activities and research-led learning from that project and, in so doing, reach out to - and bring together - user communities who may not traditionally have worked with drama in the ways proposed here. This will be achieved through the following connected programme of drama-related activities: 1) The formation of an intergenerational theatre company at the New Vic Theatre. Through a regular series of workshops, the company will bring older and younger people together in creative, drama-based activities to enhance understanding between the generations and support the continued social engagement of both groups. 2) A touring performance. The IG company will create a touring piece(s) which can be taken out to audiences within, and beyond, North Staffordshire. We anticipate that these audiences might include local councils; primary as well as secondary schools; residential homes/housing developments for older people; community groups and higher education institutions providing professional training courses (for teachers, social workers and doctors/nurses). 3) An inter-professional training course and training materials/resources, which will aim to develop practice capabilities and age awareness amongst teachers, health and social care professionals, arts practitioners and others interested in learning about and including intergenerational theatre/drama in their practice. The IG company will act as an important resource by contributing to the development and delivery of the training sessions and providing feedback to participants. 4) A scoping exercise for a wider 'Creative Age Festival', which could leave a concrete community legacy from Ages & Stages. The project will continue to be overseen by the existing 'Ages and Stages' Advisory Group, which includes experts in drama, intergenerational practice, policy and gerontology. The group will also be refreshed by new members, including younger members of the intergenerational theatre company (aged 16-18) . The activities we propose are timely for the following reasons. First, there is a notable groundswell of interest in the arts in general and theatre/drama in particular, not simply as a cultural activity but as one which has the potential to impact positively on the well-being of older and younger people. Second, in times of scarce resources, it is important to capitalise on activities which bring people together rather than those which might pit the generations against each other. Third, there is a role for practitioners in facilitating and enabling these kinds of activities but rarely, to our knowledge, have there been opportunities for professionals from differing arenas to work together as is proposed here. Finally, it is important to make best use of existing knowledge - not just that generated from our own work but also that of colleagues. We will be drawing strongly from our collaborators, including our linked Canadian project (about the impact of theatre on health ageing, which runs until 2013), and will also remain part of the New Dynamics of Ageing programme and will benefit from the knowledge exchanges this offers.

    more_vert
  • Funder: SNSF Project Code: 138773
    Funder Contribution: 60,300
    more_vert
  • Funder: SNSF Project Code: 139400
    Funder Contribution: 47,185
    more_vert
  • Funder: SNSF Project Code: 142077
    Funder Contribution: 52,075
    more_vert
  • Funder: SNSF Project Code: 139980
    Funder Contribution: 66,560
    more_vert
  • Funder: SNSF Project Code: 139828
    Funder Contribution: 43,800
    more_vert
  • Funder: UKRI Project Code: NE/H009914/1
    Funder Contribution: 360,717 GBP

    Modern marine ecosystems were established during the early Palaeozoic radiations of animals, first the 'Cambrian Explosion' and then, some 50 million years later, in the 'Great Ordovician Biodiversification Event.' By tracking the details of diversification through this critical interval, it should be possible to reconstruct not only the dynamics early animal evolution, but also the underlying effects of accruing ecological novelty. Unfortunately, the conventional fossil record represents only a fraction of ancient diversity, while famous 'soft-bodied' biotas such as the Burgess Shale are too rare to provide larger-scale patterns. I propose to circumvent these problems by exploiting a new, largely untapped source of palaeontological data: Burgess Shale-type microfossils. Like their macroscopic counterparts these fossils record the presence of non-biomineralizing organisms, but they also extend the view to include previously unrecorded forms and fine features. More significantly, they are proving to be quite common - to the extent that they can begin to be used to test macroevolutionary hypotheses. Systematic analysis of Burgess Shale-type microfossils through the Middle to Late Cambrian will shed fundamental new light on early evolutionary patterns, not least the poorly known interval between the Cambrian and Ordovician radiations. By integrating this enhanced fossil record with the principles of biological oceanography and macroecology, this study will also provide a unique, evolutionary view of how modern marine ecosystems function. This study will focus on the Western Canada Sedimentary Basin, which contains one of the largest, best preserved and most extensively sampled sequences of early Palaeozoic rocks on Earth. In addition to famously fossiliferous units exposed in the Rocky Mountain Fold and Thrust Belt - including the Burgess Shale itself - strata extend eastwards for over 1000 km in the subsurface, where they have been penetrated by hundreds of petroleum exploration boreholes. These subsurface materials are housed in state-of-the-art storage facilities in Calgary, Alberta and Regina, Saskatchewan and offer a unique opportunity to sample systematically through the whole of the Middle-Late Cambrian, and across an expansive shallow-water platform into continental-margin environments exposed in the Rocky Mountains. Preliminary work in both subsurface and outcrop occurrences has identified an exquisite range of Burgess Shale-type microfossils. More comprehensive sampling and analysis will substantially advance our understanding of early Palaeozoic diversity, macroevolutionary patterns, and the co-evolution of ecosystem function and environments.

    more_vert
  • Funder: NIH Project Code: 1R21AI098701-01
    Funder Contribution: 170,239 USD
    visibility84
    visibilityviews84
    downloaddownloads139
    Powered by Usage counts
    more_vert