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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Johal, Am; Bernstein, Scott;

    On this episode of Below the Radar, our host Am Johal is joined by Scott Bernstein, the Director of Policy at Canadian Drug Policy Coalition, a project based at the Faculty of Health Sciences at SFU. He has also done work with Pivot Legal Society in Vancouver and internationally with Open Society Foundations in New York. Together, Am and Scott talk about his work involving harm reduction, decriminalization and drug regulation policies, and discuss potential regulation models with studies such as North American Opiate Medication Initiative (NAOMI) and Study to Assess Longer-term Opioid Medication Effectiveness (SALOME).

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: SFU's Vancity Office of Community Engagement;

    In July 2017 members of the DTES community started meeting as a collective at the Hives for Humanity Bee Space to have conversation about how to ensure that community ethics are a respected part of the process of cultural production. We define cultural production as being: any time an entity comes into a community to make a product from its culture. ie. individuals and/or organisations of journalists, film makers, photographers, students, researchers, tourists or volunteers. We define community ethics as being: a set of principles to guide behaviour, based in lived experience, acknowledging the interconnectedness of our humanity, fostering relationships of respect, responsibility, reciprocity and return. We have produced a resource card and a manifesto out of these meetings which we are launching at our event on March 7th 2019, 7pm-9pm at SFU Woodwards. Copies of the card and manifesto will be available for all to take out into the community, and will be open sourced after the event. The evening included a short panel discussion with members of the collective sharing their experiences of cultural production – the good, the bad and the ugly! For more info visit: hivesforhumanity.com/communityethics/

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Anthony Perl; Am Johal; Fiorella Pinillos; Melissa Roach; +3 Authors

    My research crosses disciplinary and national boundaries to explore policy decisions made about transportation, cities and the environment. I have published in dozens of scholarly journals, including Energy Policy, Transport Policy, Transportation Research, Journal of Transport Geography, World Transport Policy and Practice, Journal of Air Transport Management, Transportation Research Record, Journal of Public Policy, Canadian Public Policy, Journal of Policy Analysis and Management, Journal of Planning Education and Research, Journal of Urban Technology, Canadian Journal of Political Science and Scientific American. My work has been awarded prizes for outstanding papers presented at the World Conference on Transport Research and the Canadian Transportation Research Forum. I have advised governments in Australia, Belgium, Canada, France and the United States on transportation and environmental research and policy development. I served on the board of VIA Rail, Canada’s national passenger railway. I have chaired the Rail Group of the U.S. Transportation Research Board (TRB), a division of the National Academies of Science, Medicine and Engineering. I am currently a Fellow of the Post-Carbon Institute and Adjunct Professor of Urban Studies at Griffith University in Queensland, Australia. Closer to home, I sit on the Vancouver City Planning Commission.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Neufeld, Scott; Crier, Nicolas; Johal, Am;

    The question of ethics should always be front and centre when it comes to doing research of any kind. For Scott Neufeld and Nicolas Crier, they aim to take this question even further. In collaboration with other folks in the Downtown Eastside and Hives for Humanity, they co-authored Research 101: A Manifesto for Ethical Research in the Downtown Eastside to help facilitate a wider conversation on ethics in cultural production, such as research, media, and artmaking. On this episode of Below the Radar, host Am Johal talks to Scott and Nicolas about how this project came to be, the profound impact it has had for the community, and what’s at stake for ethical research in the Downtown Eastside. You can access a digital copy of Research 101: A Manifesto for Ethical Research in the Downtown Eastside here: bit.ly/R101Manifesto You can read more about the processes of developing the manifesto on our blog: sfuwce.org/empowering-informed…ultural-production/

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ignace, Marianne; Ignace, Ron;

    This presentation discusses the path of re-claiming stories that were recorded from Secwepemc knowledge keepers in the late 1800s and early 1900s. Unfortunately, these stories survive in English renditions only. Through collaborative story-writing with elders in her home community, Skeetchestn and other Secwepemc communities, Marianne Ignace and Chief Ron Ignace re-translated and re-claimed them in the Secwepemc language by re-thinking their meaning, style and message, and the places and environments they connect to. The group then turned them into digital media, accompanied by vibrant illustrations which also involved collaboration between a young artist and elders. Making these available, celebrating them on the land and reconnecting to the places of the stories, but then also making them available as an app to enable digital learning allows new generations of Secwepemc to access them and learn to tell them. SPEAKER BIO Marianne Ignace is the director of the First Nations Language Centre at Simon Fraser University, and is a professor in the departments of Linguistics and First Nations Studies. She currently directs a seven-year SSHRC Partnership Grant on First Nations language revitalization in BC and Yukon, working with 12 diverse language groups. Her own research has focused on Secwepemc, Sm’algyax and Haida language documentation, and she continues to work with elders and language learners in her home community, Skeetchestn, in her adopted community, Old Massett in Haida Gwaii and with Sm’algyax speakers and learners in Prince Rupert. Her other interests are ethnobotany and Indigenous language story-work.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sangra, Baljit; Johal, Am; Saba, Maria Cecilia;

    Episode 18 features Baljit Sangra, a Vancouver-based documentarian and filmmaker. Baljit's latest documentary, "Because We Are Girls", is a powerful film that follows three Indo-Canadian sisters from Williams Lake, BC, who experienced sexual abuse by an older relative in their childhood years. Through an empathetic lens, Baljit shows the sisters’ laughs and struggles, as they seek to break the cycle of abuse and redress the wrongs within their family. Am Johal and Maria Cecilia Saba talk to Baljit about her approach to a complex story in a way that highlights her heroines’ humanity and the power of true sisterhood. Read more about "Because We Are Girls" here: vivamantra.ca/

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Leanne Betasamosake Simpson; Am Johal; Fiorella Pinillos; Melissa Roach; +3 Authors

    Leanne Betasamosake Simpson is a renowned Michi Saagiig Nishnaabeg musician, writer and academic, who has been widely recognized as one of the most compelling Indigenous voices of her generation. Her work breaks open the boundaries between story and song—bringing audiences into a rich and layered world of sound, light, and sovereign creativity. Leanne has performed in venues and festivals across Canada with her sister singer songwriter Ansley Simpson and guitarist Nick Ferrio. Leanne’s second album, f(l)light, was released in 2016 and is a haunting collection of story-songs that effortlessly interweave Simpson’s complex poetics and multi-layered stories of the land, spirit, and body with lush acoustic and electronic arrangements. Her EP Noopiming Sessions combines readings from her novel Noopiming with soundscapes composed and performed by Ansley Simpson and James Bunton with a gorgeous video by Sammy Chien and the Chimerik Collective. It was produced during the on-going social isolation of COVID-19 and was released on Gizhiiwe Music in the Fall of 2020. Leanne is the author of seven books, including This Accident of Being Lost, which won the MacEwan University Book of the Year; was a finalist for the Rogers Writers’ Trust Fiction Prize and the Trillium Book Award; was long listed for CBC Canada Reads; and was named a best book of the year by the Globe and Mail, the National Post, and Quill & Quire. Her new novel Noopiming: The Cure for White Ladies was released by the House of Anansi Press in the fall of 2020 and in the US by the University of Minnesota Press in 2021 and was named one of the Globe and Mail’s best books of the year and was short listed for the Governor General’s Literary Award for fiction. A Short History of the Blockade was released by the University of Alberta Press in early 2021. Her new project with Robyn Maynard,Rehearsals for Living will be released in 2022 by Knopf Canada. Her newest record, Theory Of Ice was released by You’ve Changed Records in the winter of 2021, and features the artistic brilliance of Ansley Simpson, Nick Ferrio, Jim Bryson, John K. Samson, Jonas Bonnetta and Sandra Brewster.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
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    Authors: Johal, Am; Coulthard,Glen;

    Glen Coulthard is Yellowknives Dene and is an associate professor in the First Nations and Indigenous Studies Program and the Department of Political Science at the University of British Columbia. He is also the author of the acclaimed book Red Skin, White Masks: Rejecting the Colonial Politics of Recognition from University of Minnesota Press. On this special episode live from the Vancouver Podcast Festival, host Am Johal sits down with Glen to talk about who and what influences his work and research, the different projects he’s been involved in over the years, and what continues to inspire him to do the work he does.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
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    Authors: Johal, Am; Petter, Andrew;

    On this episode of Below the Radar, we are joined by SFU President, Andrew Petter. For 10 years, Andrew has led SFU in becoming Canada’s Engaged University. Prior to that, Andrew had extensive teaching experience as a faculty member at the University of Victoria as well as serving the province as an MLA with a variety of cabinet portfolios during his time in office. Am Johal talks to Andrew about the experiences he had prior to coming to SFU, what it’s been like to serve as SFU’s president, and why SFU will always be a big part of his life.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
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    Authors: Johal, Am; Adleman, Dan;

    On this episode of Below the Radar, our host Am Johal sits down with Dan Adleman, an Assistant Professor of Writing and Rhetoric at the University of Toronto. He has also previously taught at the University of British Columbia, Simon Fraser University, British Columbia Institute of Technology, and Emily Carr Institute of Art + Design. Dan received his PhD from the University of British Columbia in 2016, in his dissertation he explores new-rhetorical approaches to American fiction grappling with the emergence of a new media environment at the turn of the millennium. Alongside Am Johal, he is the co-founder of Vancouver Institute for Social Research, a non-profit graduate-level critical theory free school run out of the Or Gallery since 2013.

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205 Research products
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    Authors: Johal, Am; Bernstein, Scott;

    On this episode of Below the Radar, our host Am Johal is joined by Scott Bernstein, the Director of Policy at Canadian Drug Policy Coalition, a project based at the Faculty of Health Sciences at SFU. He has also done work with Pivot Legal Society in Vancouver and internationally with Open Society Foundations in New York. Together, Am and Scott talk about his work involving harm reduction, decriminalization and drug regulation policies, and discuss potential regulation models with studies such as North American Opiate Medication Initiative (NAOMI) and Study to Assess Longer-term Opioid Medication Effectiveness (SALOME).

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    Authors: SFU's Vancity Office of Community Engagement;

    In July 2017 members of the DTES community started meeting as a collective at the Hives for Humanity Bee Space to have conversation about how to ensure that community ethics are a respected part of the process of cultural production. We define cultural production as being: any time an entity comes into a community to make a product from its culture. ie. individuals and/or organisations of journalists, film makers, photographers, students, researchers, tourists or volunteers. We define community ethics as being: a set of principles to guide behaviour, based in lived experience, acknowledging the interconnectedness of our humanity, fostering relationships of respect, responsibility, reciprocity and return. We have produced a resource card and a manifesto out of these meetings which we are launching at our event on March 7th 2019, 7pm-9pm at SFU Woodwards. Copies of the card and manifesto will be available for all to take out into the community, and will be open sourced after the event. The evening included a short panel discussion with members of the collective sharing their experiences of cultural production – the good, the bad and the ugly! For more info visit: hivesforhumanity.com/communityethics/

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    Authors: Anthony Perl; Am Johal; Fiorella Pinillos; Melissa Roach; +3 Authors

    My research crosses disciplinary and national boundaries to explore policy decisions made about transportation, cities and the environment. I have published in dozens of scholarly journals, including Energy Policy, Transport Policy, Transportation Research, Journal of Transport Geography, World Transport Policy and Practice, Journal of Air Transport Management, Transportation Research Record, Journal of Public Policy, Canadian Public Policy, Journal of Policy Analysis and Management, Journal of Planning Education and Research, Journal of Urban Technology, Canadian Journal of Political Science and Scientific American. My work has been awarded prizes for outstanding papers presented at the World Conference on Transport Research and the Canadian Transportation Research Forum. I have advised governments in Australia, Belgium, Canada, France and the United States on transportation and environmental research and policy development. I served on the board of VIA Rail, Canada’s national passenger railway. I have chaired the Rail Group of the U.S. Transportation Research Board (TRB), a division of the National Academies of Science, Medicine and Engineering. I am currently a Fellow of the Post-Carbon Institute and Adjunct Professor of Urban Studies at Griffith University in Queensland, Australia. Closer to home, I sit on the Vancouver City Planning Commission.

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    Authors: Neufeld, Scott; Crier, Nicolas; Johal, Am;

    The question of ethics should always be front and centre when it comes to doing research of any kind. For Scott Neufeld and Nicolas Crier, they aim to take this question even further. In collaboration with other folks in the Downtown Eastside and Hives for Humanity, they co-authored Research 101: A Manifesto for Ethical Research in the Downtown Eastside to help facilitate a wider conversation on ethics in cultural production, such as research, media, and artmaking. On this episode of Below the Radar, host Am Johal talks to Scott and Nicolas about how this project came to be, the profound impact it has had for the community, and what’s at stake for ethical research in the Downtown Eastside. You can access a digital copy of Research 101: A Manifesto for Ethical Research in the Downtown Eastside here: bit.ly/R101Manifesto You can read more about the processes of developing the manifesto on our blog: sfuwce.org/empowering-informed…ultural-production/

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    Authors: Ignace, Marianne; Ignace, Ron;

    This presentation discusses the path of re-claiming stories that were recorded from Secwepemc knowledge keepers in the late 1800s and early 1900s. Unfortunately, these stories survive in English renditions only. Through collaborative story-writing with elders in her home community, Skeetchestn and other Secwepemc communities, Marianne Ignace and Chief Ron Ignace re-translated and re-claimed them in the Secwepemc language by re-thinking their meaning, style and message, and the places and environments they connect to. The group then turned them into digital media, accompanied by vibrant illustrations which also involved collaboration between a young artist and elders. Making these available, celebrating them on the land and reconnecting to the places of the stories, but then also making them available as an app to enable digital learning allows new generations of Secwepemc to access them and learn to tell them. SPEAKER BIO Marianne Ignace is the director of the First Nations Language Centre at Simon Fraser University, and is a professor in the departments of Linguistics and First Nations Studies. She currently directs a seven-year SSHRC Partnership Grant on First Nations language revitalization in BC and Yukon, working with 12 diverse language groups. Her own research has focused on Secwepemc, Sm’algyax and Haida language documentation, and she continues to work with elders and language learners in her home community, Skeetchestn, in her adopted community, Old Massett in Haida Gwaii and with Sm’algyax speakers and learners in Prince Rupert. Her other interests are ethnobotany and Indigenous language story-work.

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    Authors: Sangra, Baljit; Johal, Am; Saba, Maria Cecilia;

    Episode 18 features Baljit Sangra, a Vancouver-based documentarian and filmmaker. Baljit's latest documentary, "Because We Are Girls", is a powerful film that follows three Indo-Canadian sisters from Williams Lake, BC, who experienced sexual abuse by an older relative in their childhood years. Through an empathetic lens, Baljit shows the sisters’ laughs and struggles, as they seek to break the cycle of abuse and redress the wrongs within their family. Am Johal and Maria Cecilia Saba talk to Baljit about her approach to a complex story in a way that highlights her heroines’ humanity and the power of true sisterhood. Read more about "Because We Are Girls" here: vivamantra.ca/

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    Authors: Leanne Betasamosake Simpson; Am Johal; Fiorella Pinillos; Melissa Roach; +3 Authors

    Leanne Betasamosake Simpson is a renowned Michi Saagiig Nishnaabeg musician, writer and academic, who has been widely recognized as one of the most compelling Indigenous voices of her generation. Her work breaks open the boundaries between story and song—bringing audiences into a rich and layered world of sound, light, and sovereign creativity. Leanne has performed in venues and festivals across Canada with her sister singer songwriter Ansley Simpson and guitarist Nick Ferrio. Leanne’s second album, f(l)light, was released in 2016 and is a haunting collection of story-songs that effortlessly interweave Simpson’s complex poetics and multi-layered stories of the land, spirit, and body with lush acoustic and electronic arrangements. Her EP Noopiming Sessions combines readings from her novel Noopiming with soundscapes composed and performed by Ansley Simpson and James Bunton with a gorgeous video by Sammy Chien and the Chimerik Collective. It was produced during the on-going social isolation of COVID-19 and was released on Gizhiiwe Music in the Fall of 2020. Leanne is the author of seven books, including This Accident of Being Lost, which won the MacEwan University Book of the Year; was a finalist for the Rogers Writers’ Trust Fiction Prize and the Trillium Book Award; was long listed for CBC Canada Reads; and was named a best book of the year by the Globe and Mail, the National Post, and Quill & Quire. Her new novel Noopiming: The Cure for White Ladies was released by the House of Anansi Press in the fall of 2020 and in the US by the University of Minnesota Press in 2021 and was named one of the Globe and Mail’s best books of the year and was short listed for the Governor General’s Literary Award for fiction. A Short History of the Blockade was released by the University of Alberta Press in early 2021. Her new project with Robyn Maynard,Rehearsals for Living will be released in 2022 by Knopf Canada. Her newest record, Theory Of Ice was released by You’ve Changed Records in the winter of 2021, and features the artistic brilliance of Ansley Simpson, Nick Ferrio, Jim Bryson, John K. Samson, Jonas Bonnetta and Sandra Brewster.

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    Authors: Johal, Am; Coulthard,Glen;

    Glen Coulthard is Yellowknives Dene and is an associate professor in the First Nations and Indigenous Studies Program and the Department of Political Science at the University of British Columbia. He is also the author of the acclaimed book Red Skin, White Masks: Rejecting the Colonial Politics of Recognition from University of Minnesota Press. On this special episode live from the Vancouver Podcast Festival, host Am Johal sits down with Glen to talk about who and what influences his work and research, the different projects he’s been involved in over the years, and what continues to inspire him to do the work he does.

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    Authors: Johal, Am; Petter, Andrew;

    On this episode of Below the Radar, we are joined by SFU President, Andrew Petter. For 10 years, Andrew has led SFU in becoming Canada’s Engaged University. Prior to that, Andrew had extensive teaching experience as a faculty member at the University of Victoria as well as serving the province as an MLA with a variety of cabinet portfolios during his time in office. Am Johal talks to Andrew about the experiences he had prior to coming to SFU, what it’s been like to serve as SFU’s president, and why SFU will always be a big part of his life.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Johal, Am; Adleman, Dan;

    On this episode of Below the Radar, our host Am Johal sits down with Dan Adleman, an Assistant Professor of Writing and Rhetoric at the University of Toronto. He has also previously taught at the University of British Columbia, Simon Fraser University, British Columbia Institute of Technology, and Emily Carr Institute of Art + Design. Dan received his PhD from the University of British Columbia in 2016, in his dissertation he explores new-rhetorical approaches to American fiction grappling with the emergence of a new media environment at the turn of the millennium. Alongside Am Johal, he is the co-founder of Vancouver Institute for Social Research, a non-profit graduate-level critical theory free school run out of the Or Gallery since 2013.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Simon Fraser Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/