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  • Journal of Anthropological Archaeology

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Alison Harris; Tatiana R. Feuerborn; Mikkel-Holger S. Sinding; James Nottingham; +10 Authors

    Among Indigenous populations of the Arctic, domestic dogs (Canislupus familiaris) were social actors aiding in traction and subsistence activities. Less commonly, dogs fulfilled a fur-bearing role in both the North American and Siberian Arctic. Examples of garments featuring dog skins were collected during the 19th-20th centuries and are now curated by the National Museum of Denmark. We sequenced the mitochondrial genomes of macroscopically identified dog skin garments. We conducted stable carbon and nitrogen isotope ratio analysis of the dog furs and of fur samples from contemporaneous pelts of Arctic (C. lupus arctos) and grey (C. lupus) wolves. Despite the presence of biocides used to protect the fur clothing during storage, we extracted well-preserved DNA using a minimally-invasive sampling protocol. Unexpectedly, the mtDNA genomes of one-third of the samples were consistent with wild taxa, rather than domestic dogs. The strong marine component in the diets of North American dogs distinguished them from Greenland and Canadian wolves, but Siberian dogs consumed diets that were isotopically similar to wild species. We found that dog provisioning practices were variable across the Siberian and North American Arctic, but in all cases, involved considerable human labor. ArchSci2020

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CORE (RIOXX-UK Aggre...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Article . 2020
    License: CC BY
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Journal of Anthropological Archaeology
    Other literature type . Article . 2020
    License: Elsevier TDM
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CORE (RIOXX-UK Aggre...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2020
      License: CC BY
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Journal of Anthropological Archaeology
      Other literature type . Article . 2020
      License: Elsevier TDM
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Todd J. Kristensen; P. Gregory Hare; Ruth M. Gotthardt; Norman Alexander Easton; +3 Authors

    Abstract Lithic provenance analyses offer means to reconstruct ancestral social relationships in Subarctic North America. We summarize sourced obsidian data from 462 archaeological sites in the Yukon and Northwest Territories, Canada, and interpret obsidian distribution through the Holocene with particular attention to the volcanic White River Ash East event of A.D. 846–848. We argue that social mechanisms explain overlapping occurrences of exotic and local obsidians and that the volcanic ash fall triggered changes to obsidian exchange patterns. Following the volcanic event, obsidian from British Columbia moved north into the Yukon with higher frequency. Instead of a population replacement, persistent patterns in the distribution of some obsidian source groups suggest that the ash temporarily pushed some Yukon First Nations south where they strengthened networks of exchange that were retained upon their return. The short-term displacement may also have facilitated the movement of bow and arrow technology into the Yukon, which appears concurrent with the volcanic event. The large-scale eruption had the potential to sever connections between a small group of ancestral Dene (Athapaskans) and their homeland, which culminated in a continent-wide migration in the Late Holocene.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of Anthropol...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Anthropological Archaeology
    Article . 2019
    License: Elsevier TDM
    Data sources: Crossref
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of Anthropol...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Anthropological Archaeology
      Article . 2019
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Robert J. Losey; Vladimir I. Bazaliiskii; Tatiana Nomokonova;

    Abstract Elk are common in forager archaeological artwork of northern Eurasia. During the Middle Holocene, the peoples of Cis-Baikal produced numerous elk depictions in rock art and mobiliary items. Most of the rock art has now been destroyed. However, Cis-Baikal’s cemeteries and habitation sites are increasingly well documented, with the former generating numerous elk images. To better understand this imagery, we first discuss elk biology and behavior. We then contextualize the imagery within other forms of archaeological data, including cemetery location, dietary patterns, and human population changes and dispersals. We integrate these findings with a model of northern Eurasian forager cosmologies and ideologies. Elk were not a dietary stable in Cis-Baikal. Instead, diets often had a substantial aquatic component, and red deer and roe deer were the most commonly used ungulates. All of Cis-Baikal’s Middle Holocene cemeteries were located near bodies of water. Elk’s ability to cross a fundamental boundary, that between the terrestrial and aquatic worlds, resulted in these animals being considered liminal beings. The elk depicted perhaps were cosmological forces, transporting the souls of the dead to the underworld. They also may have been constituted a generative life force and assisted souls in returning to the living world.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Anthropological Archaeology
    Article . 2021
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Anthropological Archaeology
      Article . 2021
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Stephanie Marciniak; D. Ann Herring; Alessandra Sperduti; Hendrik N. Poinar; +1 Authors

    Abstract Plasmodium falciparum is a significant human pathogen, particularly in the historical context of the ancient Mediterranean region. The causative species of malaria are “invisible” in the historical record, while malaria as a disease entity is indirectly supported by evidence from literary works (e.g., the Hippocratic Corpus, Celsus’ De Medicina) and non-specific skeletal pathological responses. Although ancient DNA may demonstrate the presence of a pathogen, there remain theoretical and methodological challenges in contextualizing such molecular evidence. Here we present a framework to explore the biosocial context of malaria in 1st–4th c. CE central-southern Italy using genomic, literary, epidemiological, and archaeological evidence to highlight relationships between the Plasmodium parasite, human hosts, Anopheles vector, and environment. By systematically integrating these evidentiary sources, our approach highlights the importance of disease ecology (e.g., climate and landscape) and human-environment interactions (e.g., land use patterns, such as agriculture or infrastructure activities) that differentially impact the potential scope of malaria in the past.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Anthropological Archaeology
    Article . 2018
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Anthropological Archaeology
      Article . 2018
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Anne P. Underhill; Geoffrey Cunnar; Fengshi Luan; Gary W. Crawford; +4 Authors

    Abstract Limited comparative data from different regions has hampered understanding of variation in the development of urbanism during the late Neolithic period of China. This paper evaluates excavation remains from large, Longshan period sites regarded as cities in the Haidai or eastern seaboard area of northern China, highlighting the site of Liangchengzhen (LCZ). We identify differences in construction features, internal settlement organization, and patterns of expansion. At LCZ, moats were especially important for the organization of space. The Liangchengzhen excavations reveal residential patterns not recognized at other Longshan sites, including shared prepared surfaces between structures and construction features likely designed to enhance privacy. We describe the abundant evidence for production of ground stone tools, including assessment of the wide variety of raw materials (local, extra-local, non-local) represented among the lithic production debris and finished tools. We conclude that there was diversification and intensification of lithic production over time. We infer that a large area at Liangchengzhen was devoted to lithic production, with other economic activities focused elsewhere as the settlement expanded in size. Future research should compare the nature of lithic production and consumption at large and small sites on a regional basis to evaluate our hypothesis that incipient market exchange was a factor in the urbanization process in the LCZ area of southeastern Shandong.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Anthropological Archaeology
    Article . 2021
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Anthropological Archaeology
      Article . 2021
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Cheung, Christina; Jing, Zhichun; Tang, Jigen; Weston, Darlene A.; +1 Authors

    Abstract The practice of ritual killing, using both human and animal subjects, was prevalent in early Bronze Age China. This study addresses one key archaeological question that concerns the social roles and geographical origins of these human victims. Although oracle bone inscriptions from the site of Yinxu mentioned that many of these victims were war captives, little archaeological evidence could support or confirm this assertion. Using stable carbon, nitrogen, and sulfur isotope analysis, we reconstructed and compared the dietary practices of 68 sacrificial victims with those of 39 local residents from Yinxu . In addition, for 30 of the sacrificial victims, δ 13 C, δ 15 N, and δ 34 S values from two different bone elements per individual were compared to look for evidence of migration. Our results suggest that these sacrificial victims were likely not local, but moved to Yinxu and adopted the local diet for at least a few years before being killed. This discovery has significant implications for understanding the various tactics used by the Shang kings to consolidate power over their subjects, including the display of violence through mass sacrificial rituals.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Vrije Universiteit B...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Vrije Universiteit B...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Shawn G. Morton; Jaime J. Awe; David M. Pendergast;

    Abstract Archaeologists are often confronted with broken objects, and the recovery of only part of an object therefore rarely causes us to question why we have not recovered more. But what if this is a mistake? What if, in ignoring this question, we are failing to consider the socio-cultural role that the fragments themselves may have played? In this paper we address these questions, outlining a particular pattern of intentional breakage and the subsequent distribution of the resulting fragments across multiple distinct locales/individuals. We align our discussion with the related concepts of fragmentation and enchainment and apply these to a dataset derived from study of the ancient Maya of Belize. Contexts discussed in this paper are of a decidedly ritual nature, including deep caves, tombs and burials, caches, and other deposits. We suggest that we have been remiss in treating such contexts in isolation, and that the scale of ritual studies within the Maya area needs to be expanded from those focused on individual deposits to broad analyses on the landscape or regional scale. Such studies must explicitly seek out variability within this corpus as it is clear that even small sites may have served as important nodes within larger networks.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Anthropological Archaeology
    Article . 2019
    License: Elsevier TDM
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Anthropological Archaeology
      Article . 2019
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Kenneth Holyoke; Susan Blair; Cliff S. J. Shaw;

    Abstract Archaeological discussions of the influence of aesthetic preferences in quotidian aspects of hunter-gatherer lives, including practical procurement and preparation activities, have been limited. Lithic technological discussions of heat-treating tend to focus on a prevailing logic that heat-treating was undertaken to improve the quality or knappability of lithic material. In this paper, we discuss a small lithic site from the Lower Saint John River Valley in south-central New Brunswick, Canada where the observation of anomalies in colour patterning of a local lithic material, Washademoak Multi-coloured Chert or, Washademoak Chert, indicated heat-treating was occurring at the site. An experimental heat-treating study was conducted to test whether heat-treating improved the quality of Washademoak Chert and to understand the duration and intensity of heating; however, results suggest heat-treating does not improve the quality of Washademoak Chert. Using lithic technological data and statistical analysis, we argue that heat-treating in this context was conducted to transform the colour of Washademoak Chert to aesthetically preferable colours—ones which reflect contemporary Indigenous perceptions of colour. These results provide valuable insights into the level of influence that aesthetic and cultural decisions may have had for hunter-gatherers.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Anthropological Archaeology
    Article . 2020
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Anthropological Archaeology
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Livarda, Alexandra; Orengo Romeu, Hector A.; Cañellas Boltà, Núria; Riera i Mora, Santiago; +5 Authors

    This paper examines agriculture, farming and dietary resources in east Crete, and re-evaluates the role of grape and olive in its prehistoric economy, these being key in debates on the emergence of social complexity. To do so bioarchaeological, paleoenvironmental and landscape survey data from the Bronze Age town at Palaikastro and its territory are combined. The results indicate a highly compartmentalised landscape, including intensive crop cultivation and extensive animal herding with careful monitoring to maintain productivity. A heightened specialisation in ovicaprine management at Palaikastro and east Crete seems to be delineated. Marine resources were regularly exploited from easily accessible coastal areas. Other activities included viticulture since the Early Minoan period, with the possible involvement of several houses in wine-making. A final important activity in the area was large-scale olive tree management since the Final Neolithic period and through to the Late Bronze Age, that seems to be entangled with ovicaprine herding and grazing. Thus, the demand for olive oil production does not seem to have been the driving force behind the intensification of the tree management, at least initially, but a corollary of its use in other aspects of the local economy. © 2021 The Authors The PALAP project was funded by the Social Sciences and Humanities Research Council (SSHRC) Insight Grant on 'Urbanization in Bronze Age Crete: between palace and landscape at Palaikastro' (2014–16), The Institute for Aegean Prehistory (INSTAP), the Hal Jackman Foundation and the British School at Athens, while the Universities of Toronto (Canada), Bristol and Nottingham (UK) also fully supported and financed parts of the project. Drs Alexandra Livarda and Hector A. Orengo are Ramón y Cajal researchers funded by the Spanish Ministry of Science, Innovation and Universities (RyC-2017-22105 and RyC-2016-19637 respectively), while Dr Livarda was further supported during the writing up of this paper by an I + D + i grant (PID2019-107605GB-100). Dr Llorenç Picornell-Gelabert’ PALAP charcoal study was financed by a Juan de la Cierva-Incorporación fellowship (IJCI-2015_24550) awarded by the Spanish Ministry of Industry, Economy and Competitiveness. Dr. Veropoulidou’s PALAP malacological study and Dr. Cañellas-Boltà and Prof. Riera-Mora’ s palaeonevironmental study were also partly financed by a private donor, Mr Anuj Malhotra, to whom they are very grateful. Peer reviewed

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    Journal of Anthropological Archaeology
    Article . 2021
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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      Journal of Anthropological Archaeology
      Article . 2021
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Lesley Howse; James M. Savelle; Arthur S. Dyke;

    Abstract Our understanding of Dorset communal living is largely derived from the Late Dorset period when longhouses are prevalent throughout the Eastern Arctic. However, based on the recent identification of large multi-family dwellings that date to the Middle Dorset period communal living was seemingly a significant part of Dorset lifeways much earlier. To date, few such dwellings have been excavated, and none have been published in detail. In 2015 a large Middle Dorset multi-family dwelling, Feature 9, was excavated at Alarniq, northern Foxe Basin, Nunavut— one of the largest Dorset sites found across the Eastern Arctic. Feature 9 is the fourth large Middle Dorset multi-family dwelling recorded at Alarniq and radiocarbon dates indicate that these dwellings were not a short-term phenomenon, but instead were built (and rebuilt) at the site for several centuries. Unlike Late Dorset longhouses, which appear to be warm season occupations containing few artifacts and faunal material, Feature 9 was occupied during the cold season, perhaps even year-round, and contained abundant artifacts and faunal material. Undoubtedly, it is an enlarged version of the more typical winter dwelling used in the region. However, since all known large Middle Dorset multi-family dwellings are associated with dwellings of a more typical size they may have also served as gathering spaces, in some ways resembling qaqqiq used in traditional Inuit society.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Anthropological Archaeology
    Article . 2021
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Anthropological Archaeology
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33 Research products
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Alison Harris; Tatiana R. Feuerborn; Mikkel-Holger S. Sinding; James Nottingham; +10 Authors

    Among Indigenous populations of the Arctic, domestic dogs (Canislupus familiaris) were social actors aiding in traction and subsistence activities. Less commonly, dogs fulfilled a fur-bearing role in both the North American and Siberian Arctic. Examples of garments featuring dog skins were collected during the 19th-20th centuries and are now curated by the National Museum of Denmark. We sequenced the mitochondrial genomes of macroscopically identified dog skin garments. We conducted stable carbon and nitrogen isotope ratio analysis of the dog furs and of fur samples from contemporaneous pelts of Arctic (C. lupus arctos) and grey (C. lupus) wolves. Despite the presence of biocides used to protect the fur clothing during storage, we extracted well-preserved DNA using a minimally-invasive sampling protocol. Unexpectedly, the mtDNA genomes of one-third of the samples were consistent with wild taxa, rather than domestic dogs. The strong marine component in the diets of North American dogs distinguished them from Greenland and Canadian wolves, but Siberian dogs consumed diets that were isotopically similar to wild species. We found that dog provisioning practices were variable across the Siberian and North American Arctic, but in all cases, involved considerable human labor. ArchSci2020

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    Article . 2020
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Journal of Anthropological Archaeology
    Other literature type . Article . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CORE (RIOXX-UK Aggre...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Journal of Anthropological Archaeology
      Other literature type . Article . 2020
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Todd J. Kristensen; P. Gregory Hare; Ruth M. Gotthardt; Norman Alexander Easton; +3 Authors

    Abstract Lithic provenance analyses offer means to reconstruct ancestral social relationships in Subarctic North America. We summarize sourced obsidian data from 462 archaeological sites in the Yukon and Northwest Territories, Canada, and interpret obsidian distribution through the Holocene with particular attention to the volcanic White River Ash East event of A.D. 846–848. We argue that social mechanisms explain overlapping occurrences of exotic and local obsidians and that the volcanic ash fall triggered changes to obsidian exchange patterns. Following the volcanic event, obsidian from British Columbia moved north into the Yukon with higher frequency. Instead of a population replacement, persistent patterns in the distribution of some obsidian source groups suggest that the ash temporarily pushed some Yukon First Nations south where they strengthened networks of exchange that were retained upon their return. The short-term displacement may also have facilitated the movement of bow and arrow technology into the Yukon, which appears concurrent with the volcanic event. The large-scale eruption had the potential to sever connections between a small group of ancestral Dene (Athapaskans) and their homeland, which culminated in a continent-wide migration in the Late Holocene.

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Anthropological Archaeology
    Article . 2019
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Anthropological Archaeology
      Article . 2019
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Robert J. Losey; Vladimir I. Bazaliiskii; Tatiana Nomokonova;

    Abstract Elk are common in forager archaeological artwork of northern Eurasia. During the Middle Holocene, the peoples of Cis-Baikal produced numerous elk depictions in rock art and mobiliary items. Most of the rock art has now been destroyed. However, Cis-Baikal’s cemeteries and habitation sites are increasingly well documented, with the former generating numerous elk images. To better understand this imagery, we first discuss elk biology and behavior. We then contextualize the imagery within other forms of archaeological data, including cemetery location, dietary patterns, and human population changes and dispersals. We integrate these findings with a model of northern Eurasian forager cosmologies and ideologies. Elk were not a dietary stable in Cis-Baikal. Instead, diets often had a substantial aquatic component, and red deer and roe deer were the most commonly used ungulates. All of Cis-Baikal’s Middle Holocene cemeteries were located near bodies of water. Elk’s ability to cross a fundamental boundary, that between the terrestrial and aquatic worlds, resulted in these animals being considered liminal beings. The elk depicted perhaps were cosmological forces, transporting the souls of the dead to the underworld. They also may have been constituted a generative life force and assisted souls in returning to the living world.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Anthropological Archaeology
    Article . 2021
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Anthropological Archaeology
      Article . 2021
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    Authors: Stephanie Marciniak; D. Ann Herring; Alessandra Sperduti; Hendrik N. Poinar; +1 Authors

    Abstract Plasmodium falciparum is a significant human pathogen, particularly in the historical context of the ancient Mediterranean region. The causative species of malaria are “invisible” in the historical record, while malaria as a disease entity is indirectly supported by evidence from literary works (e.g., the Hippocratic Corpus, Celsus’ De Medicina) and non-specific skeletal pathological responses. Although ancient DNA may demonstrate the presence of a pathogen, there remain theoretical and methodological challenges in contextualizing such molecular evidence. Here we present a framework to explore the biosocial context of malaria in 1st–4th c. CE central-southern Italy using genomic, literary, epidemiological, and archaeological evidence to highlight relationships between the Plasmodium parasite, human hosts, Anopheles vector, and environment. By systematically integrating these evidentiary sources, our approach highlights the importance of disease ecology (e.g., climate and landscape) and human-environment interactions (e.g., land use patterns, such as agriculture or infrastructure activities) that differentially impact the potential scope of malaria in the past.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
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    Journal of Anthropological Archaeology
    Article . 2018
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Anthropological Archaeology
      Article . 2018
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    Authors: Anne P. Underhill; Geoffrey Cunnar; Fengshi Luan; Gary W. Crawford; +4 Authors

    Abstract Limited comparative data from different regions has hampered understanding of variation in the development of urbanism during the late Neolithic period of China. This paper evaluates excavation remains from large, Longshan period sites regarded as cities in the Haidai or eastern seaboard area of northern China, highlighting the site of Liangchengzhen (LCZ). We identify differences in construction features, internal settlement organization, and patterns of expansion. At LCZ, moats were especially important for the organization of space. The Liangchengzhen excavations reveal residential patterns not recognized at other Longshan sites, including shared prepared surfaces between structures and construction features likely designed to enhance privacy. We describe the abundant evidence for production of ground stone tools, including assessment of the wide variety of raw materials (local, extra-local, non-local) represented among the lithic production debris and finished tools. We conclude that there was diversification and intensification of lithic production over time. We infer that a large area at Liangchengzhen was devoted to lithic production, with other economic activities focused elsewhere as the settlement expanded in size. Future research should compare the nature of lithic production and consumption at large and small sites on a regional basis to evaluate our hypothesis that incipient market exchange was a factor in the urbanization process in the LCZ area of southeastern Shandong.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
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    Journal of Anthropological Archaeology
    Article . 2021
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Anthropological Archaeology
      Article . 2021
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Cheung, Christina; Jing, Zhichun; Tang, Jigen; Weston, Darlene A.; +1 Authors

    Abstract The practice of ritual killing, using both human and animal subjects, was prevalent in early Bronze Age China. This study addresses one key archaeological question that concerns the social roles and geographical origins of these human victims. Although oracle bone inscriptions from the site of Yinxu mentioned that many of these victims were war captives, little archaeological evidence could support or confirm this assertion. Using stable carbon, nitrogen, and sulfur isotope analysis, we reconstructed and compared the dietary practices of 68 sacrificial victims with those of 39 local residents from Yinxu . In addition, for 30 of the sacrificial victims, δ 13 C, δ 15 N, and δ 34 S values from two different bone elements per individual were compared to look for evidence of migration. Our results suggest that these sacrificial victims were likely not local, but moved to Yinxu and adopted the local diet for at least a few years before being killed. This discovery has significant implications for understanding the various tactics used by the Shang kings to consolidate power over their subjects, including the display of violence through mass sacrificial rituals.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Vrije Universiteit B...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Shawn G. Morton; Jaime J. Awe; David M. Pendergast;

    Abstract Archaeologists are often confronted with broken objects, and the recovery of only part of an object therefore rarely causes us to question why we have not recovered more. But what if this is a mistake? What if, in ignoring this question, we are failing to consider the socio-cultural role that the fragments themselves may have played? In this paper we address these questions, outlining a particular pattern of intentional breakage and the subsequent distribution of the resulting fragments across multiple distinct locales/individuals. We align our discussion with the related concepts of fragmentation and enchainment and apply these to a dataset derived from study of the ancient Maya of Belize. Contexts discussed in this paper are of a decidedly ritual nature, including deep caves, tombs and burials, caches, and other deposits. We suggest that we have been remiss in treating such contexts in isolation, and that the scale of ritual studies within the Maya area needs to be expanded from those focused on individual deposits to broad analyses on the landscape or regional scale. Such studies must explicitly seek out variability within this corpus as it is clear that even small sites may have served as important nodes within larger networks.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
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    Journal of Anthropological Archaeology
    Article . 2019
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Anthropological Archaeology
      Article . 2019
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    Authors: Kenneth Holyoke; Susan Blair; Cliff S. J. Shaw;

    Abstract Archaeological discussions of the influence of aesthetic preferences in quotidian aspects of hunter-gatherer lives, including practical procurement and preparation activities, have been limited. Lithic technological discussions of heat-treating tend to focus on a prevailing logic that heat-treating was undertaken to improve the quality or knappability of lithic material. In this paper, we discuss a small lithic site from the Lower Saint John River Valley in south-central New Brunswick, Canada where the observation of anomalies in colour patterning of a local lithic material, Washademoak Multi-coloured Chert or, Washademoak Chert, indicated heat-treating was occurring at the site. An experimental heat-treating study was conducted to test whether heat-treating improved the quality of Washademoak Chert and to understand the duration and intensity of heating; however, results suggest heat-treating does not improve the quality of Washademoak Chert. Using lithic technological data and statistical analysis, we argue that heat-treating in this context was conducted to transform the colour of Washademoak Chert to aesthetically preferable colours—ones which reflect contemporary Indigenous perceptions of colour. These results provide valuable insights into the level of influence that aesthetic and cultural decisions may have had for hunter-gatherers.

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    Journal of Anthropological Archaeology
    Article . 2020
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      Journal of Anthropological Archaeology
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    Authors: Livarda, Alexandra; Orengo Romeu, Hector A.; Cañellas Boltà, Núria; Riera i Mora, Santiago; +5 Authors

    This paper examines agriculture, farming and dietary resources in east Crete, and re-evaluates the role of grape and olive in its prehistoric economy, these being key in debates on the emergence of social complexity. To do so bioarchaeological, paleoenvironmental and landscape survey data from the Bronze Age town at Palaikastro and its territory are combined. The results indicate a highly compartmentalised landscape, including intensive crop cultivation and extensive animal herding with careful monitoring to maintain productivity. A heightened specialisation in ovicaprine management at Palaikastro and east Crete seems to be delineated. Marine resources were regularly exploited from easily accessible coastal areas. Other activities included viticulture since the Early Minoan period, with the possible involvement of several houses in wine-making. A final important activity in the area was large-scale olive tree management since the Final Neolithic period and through to the Late Bronze Age, that seems to be entangled with ovicaprine herding and grazing. Thus, the demand for olive oil production does not seem to have been the driving force behind the intensification of the tree management, at least initially, but a corollary of its use in other aspects of the local economy. © 2021 The Authors The PALAP project was funded by the Social Sciences and Humanities Research Council (SSHRC) Insight Grant on 'Urbanization in Bronze Age Crete: between palace and landscape at Palaikastro' (2014–16), The Institute for Aegean Prehistory (INSTAP), the Hal Jackman Foundation and the British School at Athens, while the Universities of Toronto (Canada), Bristol and Nottingham (UK) also fully supported and financed parts of the project. Drs Alexandra Livarda and Hector A. Orengo are Ramón y Cajal researchers funded by the Spanish Ministry of Science, Innovation and Universities (RyC-2017-22105 and RyC-2016-19637 respectively), while Dr Livarda was further supported during the writing up of this paper by an I + D + i grant (PID2019-107605GB-100). Dr Llorenç Picornell-Gelabert’ PALAP charcoal study was financed by a Juan de la Cierva-Incorporación fellowship (IJCI-2015_24550) awarded by the Spanish Ministry of Industry, Economy and Competitiveness. Dr. Veropoulidou’s PALAP malacological study and Dr. Cañellas-Boltà and Prof. Riera-Mora’ s palaeonevironmental study were also partly financed by a private donor, Mr Anuj Malhotra, to whom they are very grateful. Peer reviewed

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    Journal of Anthropological Archaeology
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      Journal of Anthropological Archaeology
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Lesley Howse; James M. Savelle; Arthur S. Dyke;

    Abstract Our understanding of Dorset communal living is largely derived from the Late Dorset period when longhouses are prevalent throughout the Eastern Arctic. However, based on the recent identification of large multi-family dwellings that date to the Middle Dorset period communal living was seemingly a significant part of Dorset lifeways much earlier. To date, few such dwellings have been excavated, and none have been published in detail. In 2015 a large Middle Dorset multi-family dwelling, Feature 9, was excavated at Alarniq, northern Foxe Basin, Nunavut— one of the largest Dorset sites found across the Eastern Arctic. Feature 9 is the fourth large Middle Dorset multi-family dwelling recorded at Alarniq and radiocarbon dates indicate that these dwellings were not a short-term phenomenon, but instead were built (and rebuilt) at the site for several centuries. Unlike Late Dorset longhouses, which appear to be warm season occupations containing few artifacts and faunal material, Feature 9 was occupied during the cold season, perhaps even year-round, and contained abundant artifacts and faunal material. Undoubtedly, it is an enlarged version of the more typical winter dwelling used in the region. However, since all known large Middle Dorset multi-family dwellings are associated with dwellings of a more typical size they may have also served as gathering spaces, in some ways resembling qaqqiq used in traditional Inuit society.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Anthropological Archaeology
    Article . 2021
    License: Elsevier TDM
    Data sources: Crossref
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Anthropol...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Anthropological Archaeology
      Article . 2021
      License: Elsevier TDM
      Data sources: Crossref
      addClaim

      This Research product is the result of merged Research products in OpenAIRE.

      You have already added works in your ORCID record related to the merged Research product.