Female genital mutilation, also known as FGM, is a traditional cultural ceremony that has been practiced for hundreds of years in Africa, Asia, South Asia, and some parts of Europe. Girls from infancy to marriage or motherhood have been subjected to the partial or total removal of female genitalia as a rite of passage to ensure protection of purity and cleanliness. FGM is an ongoing cultural practice in Nigeria because of social conditioning. The results of the research show that the involvement of community members (victims of FGM, elders, and medical professionals) and leaders (spiritual, cultural, and political) will play a big role in reducing the practice of FGM in Nigeria. This portfolio synthesis includes methodology, methods, components, theoretical framework, knowledge of dissemination, and plan transfer. I explore why FGM is still an accepted practice in Nigeria and how social norm practices actively contribute to the ongoing practice of FGM. I had originally planned to travel to Nigeria to collect the data for this portfolio by dissertation. Due to COVID-19 travel restrictions, I was unable to travel and instead resorted to using different social media platforms such as WhatsApp to collect my data. This portfolio synthesis presents an overview of the following three components of the dissertation by portfolio: 1) a journal article submitted to African Studies Quarterly journal detailing the results and answers to the FGM research questions through 30 WhatsApp phone interviews of participants in Nigeria; 2) a 3D animation documentary of the real-life experience of a victim of FGM and its harmful effects; and 3) a peer reviewed conference presentation published in the proceedings at the Royal Roads University Social Engaging Applied Research Conference (August, 2021) comprised of a literature review defining FGM and outlining why it is continued.
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