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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Table of contents Table of contents for Plan Canada - Volume 41, Number 3 (July, August, September 2001).

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    VIUSpace
    Other ORP type . 2001
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      VIUSpace
      Other ORP type . 2001
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    How should the wrongs of the past be remedied through treaty implementation? What can be learned from the experience in Washington State with tribal fishing rights under the Stevens Treaties of 1854 and 1855? Has the specific claims process aided or hindered the task of redressing past wrongs? How does the legacy of denial and neglect of Douglas Treaty rights affect current efforts to chart a new course for treaty implementation? What does a new course for treaty implementation entail (for First Nations or the Crown) and what are the main obstacles or challenges in achieving it? What are the implications of treaty implementation for citizens, local governments, businesses, and proposed land and resource development?

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    VIUSpace
    Other ORP type . 2012
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ VIUSpacearrow_drop_down
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      VIUSpace
      Other ORP type . 2012
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Alexander, Don;

    Album review Review of the album "No masters!" by the Layabouts (Detroit: [Non-Serviam Productions], 1985). The following album review originally appeared as: Alexander, D. (1986). Layabouts: Profile of a community band [Review of the album "No masters!", by the Layabouts]. Fuse, [X(1-2)], 70-71. Fuse was a Canadian arts and culture magazine published by Artons Cultural Affairs Society and Publishing Inc. from 1979-2013. https://viuspace.viu.ca/bitstream/handle/10613/5039/Alexander.Layabouts.pdf?sequence=5

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    VIUSpace
    Other ORP type . 1986
    License: CC BY NC ND
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      VIUSpace
      Other ORP type . 1986
      License: CC BY NC ND
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Wade, Joy; MacConnachie, Sean;

    Stream remediation was undertaken at two impassable fish obstacles in Morrison Creek in Courtenay, British Columbia. These barriers were identified as impassable to the endangered Morrison Creek lamprey (Lampetra richardsoni variety marifuga) and a seasonal impediment to the movement of salmonids. The success of this remediation was not only in the removal of barriers to lamprey but in balancing the needs of multiple species of differing and sometimes conflicting habitat requirements. Community engagement was also a key outcome of the remediation with increased awareness of the protected lamprey species, hands-on interaction with stream remediation activities and the interaction and cooperation with landowners. What remains to be determined is if these remediation activities can slow or reverse the decline observed in catches of Morrison Creek lamprey. https://viurrspace.ca/bitstream/handle/10613/5435/Lamprey.Habitat.pdf?sequence=3

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    VIUSpace
    Other ORP type . 2017
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      VIUSpace
      Other ORP type . 2017
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Christie, Kenneth;

    Version of record deposited with permission from the publisher. The version of record is available at http://www.peaceresearch.ca/issues/51-1/. Judith Eve Lipton and Daniel P Barash. Strength Through Peace: How Demilitarization Led to Peace and Happiness in Costa Rica and What the Rest of the World Can Learn from a Tiny Tropical Nation. New York, NY: Oxford University Press, 2019. ISBN: 978-0-1999-2497-4 (Hbk). Pp. 261. This is a timely book! It shows how a small country like Costa Rica, a hugely successful nation-state, has become one of the most prosperous and progressive countries on earth. It also has maintained and kept itself in a peaceful state since 1948, the year Costa Rica decided to disband its army and create a zero-military budget. The decision gives it the distinction of being the largest independent country to become completely demilitarized. This has led, as the authors claim, to a nation that is thriving despite its small size and circumstances. Considering New Zealand, Iceland, and Bhutan as other success stories, this shows that demilitarized states are unique and thus to be admired as possible role models for other states.

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    VIUSpace
    Other ORP type . 2019
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      VIUSpace
      Other ORP type . 2019
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    Table of contents Table of contents for Plan Canada - Volume 45, Number 2 (Summer 2005) https://viurrspace.ca/bitstream/handle/10613/6466/TOC.pdf?sequence=3

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    VIUSpace
    Other ORP type . 2005
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      VIUSpace
      Other ORP type . 2005
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Anderson, Allyson;

    Abstract This thesis investigates issues of representation and the social identity of the colonized by conducting a textual analysis of a fictive, construct that I dub the halfbreed girl, and of the ways in which selected metisse writers, poets, artists and performers respond to that stereotype in their respective works. Using methodologies in literature and the visual/performing arts, this thesis interrogates matters of social process: specifically, settler-colonialism’s discursive management of the social identities – in effect, the social place – of metis women, and how metis women negotiate this highly raced and gendered identity space. Emphasizing Canadian contexts, the images examined are drawn from North American settler-colonial pop-culture texts produced in the late nineteenth- through the early twentyfirst centuries; the metisse responses to them are gathered from the same time period. The thesis includes American-produced images of the halfbreed girl due to the historic relationship between the two nations and the significant consumption of mass-produced American pop-culture media by Canadians – historically and currently. The first tier of the study demonstrates how the figure of the halfbreed girl is rendered abject through textual strategies that situate her at the intersection of the dichotomies, civilization/savagery and Madonna/whore, generating the racialized Princess/squaw polemic. The logic of the Princess/squaw polemic further reticulates into three sub-binaries: White/Indian, mimesis/regression, and naturalness/degeneracy, compounding the abjection of the halfbreed girl, who oscillates along and between these binaries, relegating her to a state of perpetual liminality in the settler-colonial master narrative. The thesis also finds that these textual strategies tend to reflect the processes of social abjection to which metis women were subjected in actuality, as exemplified by the deteriorating social status of historical metisses in nineteenth-century Canada. The second tier of the study finds that metisse auteurs are indeed cognizant of this social construction–and subsequent abjection–of themselves as an Indigenous ‘other’ in settler-colonial pop-culture discourse, and incorporate this awareness, along with elements of the stereotypical halfbreed girl, into their respective embodiments of metisse-ness in their selected works. However, they do not respond uniformly to images of the halfbreed girl that situate them as a liminal entity, nor necessarily receive them uncritically. Rather, their works exhibit variegated reactions—from internalization to various modalities of resistance—as they grapple with aspects of the halfbreed girl in their own performances and/or texts.

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    VIUSpace
    2016
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      VIUSpace
      2016
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    Authors: Westland Resource Group;

    This work was digitally reproduced from a print copy held by Royal Roads University Library. It forms part of a digital collection of locally significant reports and land surveys. The copyright holder has granted the Royal Roads University Library the non-exclusive right to digitize and make this work electronically available via DSpace@RRU. Copyright of this material is fully retained by the copyright holder, and this work should not be copied, modified, or distributed further without permission from the copyright holder. Please contact the RRU Copyright Office copyrightoffice@royalroads.ca for more information. Since European settlement in the mid-1800s, Victoria and Esquimalt Harbours have experienced extensive urban development. Nonetheless, today's harbours still contain important habitats for fish, birds and wildlife and are the centerpiece of the Greater Victoria urban area. The environmental, economic and social value of the harbours to the residents of the Capital Region and to visitors has grown in recent years, making the protection and restoration of harbour ecosystems increasingly important. In 1997, the Victoria and Esquimalt Harbours Environmental Action Program (VEHEAP) began the Victoria and Esquimalt Harbours Ecological Inventory and Rating (HEIR) project. The intent of the HEIR project was to systematically inventory the ecological features and to rate the ecological value of intertidal, backshore, and subtidal portions ofVictoria Harbour, the Gorge, Portage Inlet, Esquimalt Harbour and Esquimalt Lagoon. This report presents the results of Phase 1, which covers the intertidal and backshore portions of the harbours. Phase 2 of the HEIR will inventory and assess the subtidal portions of the harbours. Capital Regional District

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    VIUSpace
    Other ORP type . 2014
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      VIUSpace
      Other ORP type . 2014
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    Authors: Johnstone, Sandra;

    Colouring sheets Colouring sheets showing animals that lived at the time when the rocks of Vancouver Island were formed. Sharks, ammonites, crinoids, and more! https://viurrspace.ca/bitstream/handle/10613/6644/JohnstoneColouringSheets.pdf?sequence=3

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    VIUSpace
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      VIUSpace
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    Table of contents Table of contents for Plan Canada - Volume 42, Number 4 (October, November, December 2002).

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71 Research products
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    Table of contents Table of contents for Plan Canada - Volume 41, Number 3 (July, August, September 2001).

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    How should the wrongs of the past be remedied through treaty implementation? What can be learned from the experience in Washington State with tribal fishing rights under the Stevens Treaties of 1854 and 1855? Has the specific claims process aided or hindered the task of redressing past wrongs? How does the legacy of denial and neglect of Douglas Treaty rights affect current efforts to chart a new course for treaty implementation? What does a new course for treaty implementation entail (for First Nations or the Crown) and what are the main obstacles or challenges in achieving it? What are the implications of treaty implementation for citizens, local governments, businesses, and proposed land and resource development?

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    VIUSpace
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    Authors: Alexander, Don;

    Album review Review of the album "No masters!" by the Layabouts (Detroit: [Non-Serviam Productions], 1985). The following album review originally appeared as: Alexander, D. (1986). Layabouts: Profile of a community band [Review of the album "No masters!", by the Layabouts]. Fuse, [X(1-2)], 70-71. Fuse was a Canadian arts and culture magazine published by Artons Cultural Affairs Society and Publishing Inc. from 1979-2013. https://viuspace.viu.ca/bitstream/handle/10613/5039/Alexander.Layabouts.pdf?sequence=5

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    VIUSpace
    Other ORP type . 1986
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      VIUSpace
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    Authors: Wade, Joy; MacConnachie, Sean;

    Stream remediation was undertaken at two impassable fish obstacles in Morrison Creek in Courtenay, British Columbia. These barriers were identified as impassable to the endangered Morrison Creek lamprey (Lampetra richardsoni variety marifuga) and a seasonal impediment to the movement of salmonids. The success of this remediation was not only in the removal of barriers to lamprey but in balancing the needs of multiple species of differing and sometimes conflicting habitat requirements. Community engagement was also a key outcome of the remediation with increased awareness of the protected lamprey species, hands-on interaction with stream remediation activities and the interaction and cooperation with landowners. What remains to be determined is if these remediation activities can slow or reverse the decline observed in catches of Morrison Creek lamprey. https://viurrspace.ca/bitstream/handle/10613/5435/Lamprey.Habitat.pdf?sequence=3

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    VIUSpace
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    Authors: Christie, Kenneth;

    Version of record deposited with permission from the publisher. The version of record is available at http://www.peaceresearch.ca/issues/51-1/. Judith Eve Lipton and Daniel P Barash. Strength Through Peace: How Demilitarization Led to Peace and Happiness in Costa Rica and What the Rest of the World Can Learn from a Tiny Tropical Nation. New York, NY: Oxford University Press, 2019. ISBN: 978-0-1999-2497-4 (Hbk). Pp. 261. This is a timely book! It shows how a small country like Costa Rica, a hugely successful nation-state, has become one of the most prosperous and progressive countries on earth. It also has maintained and kept itself in a peaceful state since 1948, the year Costa Rica decided to disband its army and create a zero-military budget. The decision gives it the distinction of being the largest independent country to become completely demilitarized. This has led, as the authors claim, to a nation that is thriving despite its small size and circumstances. Considering New Zealand, Iceland, and Bhutan as other success stories, this shows that demilitarized states are unique and thus to be admired as possible role models for other states.

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    Table of contents Table of contents for Plan Canada - Volume 45, Number 2 (Summer 2005) https://viurrspace.ca/bitstream/handle/10613/6466/TOC.pdf?sequence=3

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    Authors: Anderson, Allyson;

    Abstract This thesis investigates issues of representation and the social identity of the colonized by conducting a textual analysis of a fictive, construct that I dub the halfbreed girl, and of the ways in which selected metisse writers, poets, artists and performers respond to that stereotype in their respective works. Using methodologies in literature and the visual/performing arts, this thesis interrogates matters of social process: specifically, settler-colonialism’s discursive management of the social identities – in effect, the social place – of metis women, and how metis women negotiate this highly raced and gendered identity space. Emphasizing Canadian contexts, the images examined are drawn from North American settler-colonial pop-culture texts produced in the late nineteenth- through the early twentyfirst centuries; the metisse responses to them are gathered from the same time period. The thesis includes American-produced images of the halfbreed girl due to the historic relationship between the two nations and the significant consumption of mass-produced American pop-culture media by Canadians – historically and currently. The first tier of the study demonstrates how the figure of the halfbreed girl is rendered abject through textual strategies that situate her at the intersection of the dichotomies, civilization/savagery and Madonna/whore, generating the racialized Princess/squaw polemic. The logic of the Princess/squaw polemic further reticulates into three sub-binaries: White/Indian, mimesis/regression, and naturalness/degeneracy, compounding the abjection of the halfbreed girl, who oscillates along and between these binaries, relegating her to a state of perpetual liminality in the settler-colonial master narrative. The thesis also finds that these textual strategies tend to reflect the processes of social abjection to which metis women were subjected in actuality, as exemplified by the deteriorating social status of historical metisses in nineteenth-century Canada. The second tier of the study finds that metisse auteurs are indeed cognizant of this social construction–and subsequent abjection–of themselves as an Indigenous ‘other’ in settler-colonial pop-culture discourse, and incorporate this awareness, along with elements of the stereotypical halfbreed girl, into their respective embodiments of metisse-ness in their selected works. However, they do not respond uniformly to images of the halfbreed girl that situate them as a liminal entity, nor necessarily receive them uncritically. Rather, their works exhibit variegated reactions—from internalization to various modalities of resistance—as they grapple with aspects of the halfbreed girl in their own performances and/or texts.

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    VIUSpace
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ VIUSpacearrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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