research product . Other ORP type . 2013

Le contrat du peintre : l'interartialité comme réflexivité dans le cinéma de Peter Greenaway

Mirandette, Marie Claude;
Open Access French
  • Published: 01 Feb 2013
  • Publisher: Université de Montréal
  • Country: Canada
Taking its theoretical starting point from the work of Walter Moser in interartiality, this thesis explores the place and function of interatiality (relationships between the arts) in the cinema of Peter Greenaway. The Draughtsman’s Contract and Nightwatching, two films that focus on the figure of the painter and the form of the contract, are examined for the purpose of identifying and analysing some of the interartial relationships at work in them and thereby demonstrating that the interconnecting of painting, theatre and cinema in bi- and pluri-artial relationships constitutes a basic framework of “non-hierarchical interartiality” in Greenaway’s films. The con...
Persistent Identifiers
free text keywords: Cinéma, Cinema, Peinture, Painting, Théâtralité, Theatricality, Intermédialité, Intermediality, Interartialité, Interartiality, Peter Greenaway
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